The Photograph as Contemporary Art
484 Kč
Sleva až 70% u třetiny knih
Upravené a doplněné vydání mapuje roli fotografie v
současném umění od poloviny 80. let. Představuje fotografie 170
umělců z celého světa. Jedna z nejlepších knih svého druhu. Text v
angličtině.
From conceptual art’s use of the banal and ‘artless’ snapshot
to the carefully constructed tableaux of Jeff Wall, this book
considers the full range of ways that today’s artists engage with
photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use
photography as a record of performances or everyday actions, while
others like Yinka Shonibare and Gregory Crewdson stage invented
scenes to tell fictional stories. Andreas Gursky, Thomas Demand and
Rineke Dijkstra present a cool, seemingly objective view of the
world, while Nan Goldin and Wolfgang Tillmans offer up intimate
details of their private lives. For Luc Delahaye and Allan Sekula,
photography is a means of creating documentary, while for Cindy
Sherman and Gillian Wearing, the photograph becomes a repository of
personal, social and cultural values in an image-saturated world.
This new edition brings the story of contemporary art
photography up to date with a new chapter on artists who emphasize
the physical and material properties of photography, who use
photography as just one component in their pan-media practice, or
who experiment with new modes of dissemination.
Featuring established artists such as Isa Genzken and Sherrie
Levine alongside a younger generation including Florian
Maier-Aichen, Anne Collier and Walead Beshty, The Photograph as
Contemporary Art points to the durability, diversity and energy of
art photography in the twenty-first century.
Charlotte Cotton is Creative Director of the National Media
Museum, UK. She was formerly head of programming at the
Photographers' Gallery, London
Upravené a doplněné vydání mapuje roli fotografie v
současném umění od poloviny 80. let. Představuje fotografie 170
umělců z celého světa. Jedna z nejlepších knih svého druhu. Text v
angličtině.
From conceptual art’s use of the banal and ‘artless’ snapshot
to the carefully constructed tableaux of Jeff Wall, this book
considers the full range of ways that today’s artists engage with
photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use
photography as a record of performances or everyday actions, while
others like Yinka Shonibare and Gregory Crewdson stage invented
scenes to tell fictional stories. Andreas Gursky, Thomas Demand and
Rineke Dijkstra present a cool, seemingly objective view of the
world, while Nan Goldin and Wolfgang Tillmans offer up intimate
details of their private lives. For Luc Delahaye and Allan Sekula,
photography is a means of creating documentary, while for Cindy
Sherman and Gillian Wearing, the photograph becomes a repository of
personal, social and cultural values in an image-saturated world.
This new edition brings the story of contemporary art
photography up to date with a new chapter on artists who emphasize
the physical and material properties of photography, who use
photography as just one component in their pan-media practice, or
who experiment with new modes of dissemination.
Featuring established artists such as Isa Genzken and Sherrie
Levine alongside a younger generation including Florian
Maier-Aichen, Anne Collier and Walead Beshty, The Photograph as
Contemporary Art points to the durability, diversity and energy of
art photography in the twenty-first century.
Charlotte Cotton is Creative Director of the National Media
Museum, UK. She was formerly head of programming at the
Photographers' Gallery, London
Upravené a doplněné vydání mapuje roli fotografie v
současném umění od poloviny 80. let. Představuje fotografie 170
umělců z celého světa. Jedna z nejlepších knih svého druhu. Text v
angličtině.
From conceptual art’s use of the banal and ‘artless’ snapshot
to the carefully constructed tableaux of Jeff Wall, this book
considers the full range of ways that today’s artists engage with
photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use
photography as a record of performances or everyday actions, while
others like Yinka Shonibare and Gregory Crewdson stage invented
scenes to tell fictional stories. Andreas Gursky, Thomas Demand and
Rineke Dijkstra present a cool, seemingly objective view of the
world, while Nan Goldin and Wolfgang Tillmans offer up intimate
details of their private lives. For Luc Delahaye and Allan Sekula,
photography is a means of creating documentary, while for Cindy
Sherman and Gillian Wearing, the photograph becomes a repository of
personal, social and cultural values in an image-saturated world.
This new edition brings the story of contemporary art
photography up to date with a new chapter on artists who emphasize
the physical and material properties of photography, who use
photography as just one component in their pan-media practice, or
who experiment with new modes of dissemination.
Featuring established artists such as Isa Genzken and Sherrie
Levine alongside a younger generation including Florian
Maier-Aichen, Anne Collier and Walead Beshty, The Photograph as
Contemporary Art points to the durability, diversity and energy of
art photography in the twenty-first century.
Charlotte Cotton is Creative Director of the National Media
Museum, UK. She was formerly head of programming at the
Photographers' Gallery, London
Upravené a doplněné vydání mapuje roli fotografie v
současném umění od poloviny 80. let. Představuje fotografie 170
umělců z celého světa. Jedna z nejlepších knih svého druhu. Text v
angličtině.
From conceptual art’s use of the banal and ‘artless’ snapshot
to the carefully constructed tableaux of Jeff Wall, this book
considers the full range of ways that today’s artists engage with
photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use
photography as a record of performances or everyday actions, while
others like Yinka Shonibare and Gregory Crewdson stage invented
scenes to tell fictional stories. Andreas Gursky, Thomas Demand and
Rineke Dijkstra present a cool, seemingly objective view of the
world, while Nan Goldin and Wolfgang Tillmans offer up intimate
details of their private lives. For Luc Delahaye and Allan Sekula,
photography is a means of creating documentary, while for Cindy
Sherman and Gillian Wearing, the photograph becomes a repository of
personal, social and cultural values in an image-saturated world.
This new edition brings the story of contemporary art
photography up to date with a new chapter on artists who emphasize
the physical and material properties of photography, who use
photography as just one component in their pan-media practice, or
who experiment with new modes of dissemination.
Featuring established artists such as Isa Genzken and Sherrie
Levine alongside a younger generation including Florian
Maier-Aichen, Anne Collier and Walead Beshty, The Photograph as
Contemporary Art points to the durability, diversity and energy of
art photography in the twenty-first century.
Charlotte Cotton is Creative Director of the National Media
Museum, UK. She was formerly head of programming at the
Photographers' Gallery, London
Upravené a doplněné vydání mapuje roli fotografie v
současném umění od poloviny 80. let. Představuje fotografie 170
umělců z celého světa. Jedna z nejlepších knih svého druhu. Text v
angličtině.
From conceptual art’s use of the banal and ‘artless’ snapshot
to the carefully constructed tableaux of Jeff Wall, this book
considers the full range of ways that today’s artists engage with
photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use
photography as a record of performances or everyday actions, while
others like Yinka Shonibare and Gregory Crewdson stage invented
scenes to tell fictional stories. Andreas Gursky, Thomas Demand and
Rineke Dijkstra present a cool, seemingly objective view of the
world, while Nan Goldin and Wolfgang Tillmans offer up intimate
details of their private lives. For Luc Delahaye and Allan Sekula,
photography is a means of creating documentary, while for Cindy
Sherman and Gillian Wearing, the photograph becomes a repository of
personal, social and cultural values in an image-saturated world.
This new edition brings the story of contemporary art
photography up to date with a new chapter on artists who emphasize
the physical and material properties of photography, who use
photography as just one component in their pan-media practice, or
who experiment with new modes of dissemination.
Featuring established artists such as Isa Genzken and Sherrie
Levine alongside a younger generation including Florian
Maier-Aichen, Anne Collier and Walead Beshty, The Photograph as
Contemporary Art points to the durability, diversity and energy of
art photography in the twenty-first century.
Charlotte Cotton is Creative Director of the National Media
Museum, UK. She was formerly head of programming at the
Photographers' Gallery, London
Upravené a doplněné vydání mapuje roli fotografie v
současném umění od poloviny 80. let. Představuje fotografie 170
umělců z celého světa. Jedna z nejlepších knih svého druhu. Text v
angličtině.
From conceptual art’s use of the banal and ‘artless’ snapshot
to the carefully constructed tableaux of Jeff Wall, this book
considers the full range of ways that today’s artists engage with
photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use
photography as a record of performances or everyday actions, while
others like Yinka Shonibare and Gregory Crewdson stage invented
scenes to tell fictional stories. Andreas Gursky, Thomas Demand and
Rineke Dijkstra present a cool, seemingly objective view of the
world, while Nan Goldin and Wolfgang Tillmans offer up intimate
details of their private lives. For Luc Delahaye and Allan Sekula,
photography is a means of creating documentary, while for Cindy
Sherman and Gillian Wearing, the photograph becomes a repository of
personal, social and cultural values in an image-saturated world.
This new edition brings the story of contemporary art
photography up to date with a new chapter on artists who emphasize
the physical and material properties of photography, who use
photography as just one component in their pan-media practice, or
who experiment with new modes of dissemination.
Featuring established artists such as Isa Genzken and Sherrie
Levine alongside a younger generation including Florian
Maier-Aichen, Anne Collier and Walead Beshty, The Photograph as
Contemporary Art points to the durability, diversity and energy of
art photography in the twenty-first century.
Charlotte Cotton is Creative Director of the National Media
Museum, UK. She was formerly head of programming at the
Photographers' Gallery, London
| Autor: | Cotton Charlotte |
| Nakladatel: | Thames |
| ISBN: | 978-0-500-20401-6 |
| Rok vydání: | 2009 |
| Jazyk : | Angličtina |
| Druh: | 1 x kniha |
| Počet stran: | 248 |
Mohlo by se vám také líbit..
