Tichý
12
%
1009 Kč 1 150 Kč
Sleva až 70% u třetiny knih
Překrásně připravená a vázaná retrospektivní
publikace fotografa Miroslava Tichého, vydaná u příležitosti jeho
výstavy v galerii Centres George Pompidou v Paříži. Text v
angličtině.
Photography is something concrete, a perception, what you see
with your eyes. And it happens so fast that you may not see
anything at all! To photograph is to paint with light! The flaws
are part of it. That's what makes the poetry. And for that you need
a bad camera. If you want to be famous, you have to be worse at
something than everyone else in the world! -Miroslav Tichy
After studying at the Academy of Arts in Prague, Miroslav
Tichy, born in 1926 in the former Czechoslovakia, withdrew to a
life of isolation in his hometown of Kyjov. In the late 1950s, he
stopped painting and, during his daily walks, began to take
photographs of women with cameras he made by hand. He mounted his
prints on handmade frames and added finishing touches in pencil,
shifting from photography to drawing. Disregarding the rules of
photography, for four decades Tichy created a large oeuvre of
poetic, dreamlike views of female beauty.
A former neighbor, Roman Buxbaum, discovered Tichy's hidden
work in the 1980s and has been documenting and collecting it ever
since. In 2004, the esteemed international curator Harald Szeemann
mounted the first solo exhibition of the nearly 80-year-old artist.
That same year, Tichy was given the Rencontres d'Arles Photographie
Discovery Award and the Kunsthaus Zurich organized a large
retrospective. Solo exhibitions at the Centre Pompidou in Paris and
the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy
does not see his exhibitions, for he no longer leaves his house.
This beautifully produced, thorough volume collects the
work-perfectly.
Překrásně připravená a vázaná retrospektivní
publikace fotografa Miroslava Tichého, vydaná u příležitosti jeho
výstavy v galerii Centres George Pompidou v Paříži. Text v
angličtině.
Photography is something concrete, a perception, what you see
with your eyes. And it happens so fast that you may not see
anything at all! To photograph is to paint with light! The flaws
are part of it. That's what makes the poetry. And for that you need
a bad camera. If you want to be famous, you have to be worse at
something than everyone else in the world! -Miroslav Tichy
After studying at the Academy of Arts in Prague, Miroslav
Tichy, born in 1926 in the former Czechoslovakia, withdrew to a
life of isolation in his hometown of Kyjov. In the late 1950s, he
stopped painting and, during his daily walks, began to take
photographs of women with cameras he made by hand. He mounted his
prints on handmade frames and added finishing touches in pencil,
shifting from photography to drawing. Disregarding the rules of
photography, for four decades Tichy created a large oeuvre of
poetic, dreamlike views of female beauty.
A former neighbor, Roman Buxbaum, discovered Tichy's hidden
work in the 1980s and has been documenting and collecting it ever
since. In 2004, the esteemed international curator Harald Szeemann
mounted the first solo exhibition of the nearly 80-year-old artist.
That same year, Tichy was given the Rencontres d'Arles Photographie
Discovery Award and the Kunsthaus Zurich organized a large
retrospective. Solo exhibitions at the Centre Pompidou in Paris and
the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy
does not see his exhibitions, for he no longer leaves his house.
This beautifully produced, thorough volume collects the
work-perfectly.
Překrásně připravená a vázaná retrospektivní
publikace fotografa Miroslava Tichého, vydaná u příležitosti jeho
výstavy v galerii Centres George Pompidou v Paříži. Text v
angličtině.
Photography is something concrete, a perception, what you see
with your eyes. And it happens so fast that you may not see
anything at all! To photograph is to paint with light! The flaws
are part of it. That's what makes the poetry. And for that you need
a bad camera. If you want to be famous, you have to be worse at
something than everyone else in the world! -Miroslav Tichy
After studying at the Academy of Arts in Prague, Miroslav
Tichy, born in 1926 in the former Czechoslovakia, withdrew to a
life of isolation in his hometown of Kyjov. In the late 1950s, he
stopped painting and, during his daily walks, began to take
photographs of women with cameras he made by hand. He mounted his
prints on handmade frames and added finishing touches in pencil,
shifting from photography to drawing. Disregarding the rules of
photography, for four decades Tichy created a large oeuvre of
poetic, dreamlike views of female beauty.
A former neighbor, Roman Buxbaum, discovered Tichy's hidden
work in the 1980s and has been documenting and collecting it ever
since. In 2004, the esteemed international curator Harald Szeemann
mounted the first solo exhibition of the nearly 80-year-old artist.
That same year, Tichy was given the Rencontres d'Arles Photographie
Discovery Award and the Kunsthaus Zurich organized a large
retrospective. Solo exhibitions at the Centre Pompidou in Paris and
the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy
does not see his exhibitions, for he no longer leaves his house.
This beautifully produced, thorough volume collects the
work-perfectly.
Překrásně připravená a vázaná retrospektivní
publikace fotografa Miroslava Tichého, vydaná u příležitosti jeho
výstavy v galerii Centres George Pompidou v Paříži. Text v
angličtině.
Photography is something concrete, a perception, what you see
with your eyes. And it happens so fast that you may not see
anything at all! To photograph is to paint with light! The flaws
are part of it. That's what makes the poetry. And for that you need
a bad camera. If you want to be famous, you have to be worse at
something than everyone else in the world! -Miroslav Tichy
After studying at the Academy of Arts in Prague, Miroslav
Tichy, born in 1926 in the former Czechoslovakia, withdrew to a
life of isolation in his hometown of Kyjov. In the late 1950s, he
stopped painting and, during his daily walks, began to take
photographs of women with cameras he made by hand. He mounted his
prints on handmade frames and added finishing touches in pencil,
shifting from photography to drawing. Disregarding the rules of
photography, for four decades Tichy created a large oeuvre of
poetic, dreamlike views of female beauty.
A former neighbor, Roman Buxbaum, discovered Tichy's hidden
work in the 1980s and has been documenting and collecting it ever
since. In 2004, the esteemed international curator Harald Szeemann
mounted the first solo exhibition of the nearly 80-year-old artist.
That same year, Tichy was given the Rencontres d'Arles Photographie
Discovery Award and the Kunsthaus Zurich organized a large
retrospective. Solo exhibitions at the Centre Pompidou in Paris and
the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy
does not see his exhibitions, for he no longer leaves his house.
This beautifully produced, thorough volume collects the
work-perfectly.
Překrásně připravená a vázaná retrospektivní
publikace fotografa Miroslava Tichého, vydaná u příležitosti jeho
výstavy v galerii Centres George Pompidou v Paříži. Text v
angličtině.
Photography is something concrete, a perception, what you see
with your eyes. And it happens so fast that you may not see
anything at all! To photograph is to paint with light! The flaws
are part of it. That's what makes the poetry. And for that you need
a bad camera. If you want to be famous, you have to be worse at
something than everyone else in the world! -Miroslav Tichy
After studying at the Academy of Arts in Prague, Miroslav
Tichy, born in 1926 in the former Czechoslovakia, withdrew to a
life of isolation in his hometown of Kyjov. In the late 1950s, he
stopped painting and, during his daily walks, began to take
photographs of women with cameras he made by hand. He mounted his
prints on handmade frames and added finishing touches in pencil,
shifting from photography to drawing. Disregarding the rules of
photography, for four decades Tichy created a large oeuvre of
poetic, dreamlike views of female beauty.
A former neighbor, Roman Buxbaum, discovered Tichy's hidden
work in the 1980s and has been documenting and collecting it ever
since. In 2004, the esteemed international curator Harald Szeemann
mounted the first solo exhibition of the nearly 80-year-old artist.
That same year, Tichy was given the Rencontres d'Arles Photographie
Discovery Award and the Kunsthaus Zurich organized a large
retrospective. Solo exhibitions at the Centre Pompidou in Paris and
the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy
does not see his exhibitions, for he no longer leaves his house.
This beautifully produced, thorough volume collects the
work-perfectly.
Překrásně připravená a vázaná retrospektivní
publikace fotografa Miroslava Tichého, vydaná u příležitosti jeho
výstavy v galerii Centres George Pompidou v Paříži. Text v
angličtině.
Photography is something concrete, a perception, what you see
with your eyes. And it happens so fast that you may not see
anything at all! To photograph is to paint with light! The flaws
are part of it. That's what makes the poetry. And for that you need
a bad camera. If you want to be famous, you have to be worse at
something than everyone else in the world! -Miroslav Tichy
After studying at the Academy of Arts in Prague, Miroslav
Tichy, born in 1926 in the former Czechoslovakia, withdrew to a
life of isolation in his hometown of Kyjov. In the late 1950s, he
stopped painting and, during his daily walks, began to take
photographs of women with cameras he made by hand. He mounted his
prints on handmade frames and added finishing touches in pencil,
shifting from photography to drawing. Disregarding the rules of
photography, for four decades Tichy created a large oeuvre of
poetic, dreamlike views of female beauty.
A former neighbor, Roman Buxbaum, discovered Tichy's hidden
work in the 1980s and has been documenting and collecting it ever
since. In 2004, the esteemed international curator Harald Szeemann
mounted the first solo exhibition of the nearly 80-year-old artist.
That same year, Tichy was given the Rencontres d'Arles Photographie
Discovery Award and the Kunsthaus Zurich organized a large
retrospective. Solo exhibitions at the Centre Pompidou in Paris and
the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy
does not see his exhibitions, for he no longer leaves his house.
This beautifully produced, thorough volume collects the
work-perfectly.
| Nakladatel: | Walther König |
| ISBN: | 978-3-86560-459-0 |
| Rok vydání: | 2008 |
| Jazyk : | Angličtina |
| Druh: | 1 x kniha |
| Vazba: | vázaná |
| Počet stran: | 222 |
| Zařazení: | monografie • fotografické publikace • 20. stol. • umělecké náměty • ženy • umělecká fotografie • fotografové • Tichý, Miroslav, |
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