Jaromír Funke - Between Construction and Emotion
11
%
1730 Kč 1 950 Kč
Sleva až 70% u třetiny knih
The first large-scale monograph on this internationally renowned photographer.
Jaromír Funke (1896-1945) was a innovator of modern photography, just like Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albert Renger-Patzsch, Aleksander Rodchenko, Paul Strand, and Edward Weston, to name but a few. Like them, Funke set out (in 1922) on the road towards abstraction, which would eventually lead him to his own particular “ism” – photogenism.
Funke also responded to Cubism and created exemplary works of the New Objectivity and Constructivism, but he stood closest to Bauhaus. During the 1920s, he was one of the first to adopt irrational approaches such as Poetism and Surrealism. In the second half of the 1930s, Funke established his “emotional photography” on the basis of Breton’s notion of the magic encounter. He was a typical universally educated intellectual of his era.
This book focuses primarily on the ideas that shaped and transformed Funke’s work, while placing it within the context of European avant-garde photography and culture, of which he was a pioneer.
The book was prepared in cooperation with Jaromír Funke’s daughter Miloslava Rupešová.
Jaromír Funke (1896-1945) was a innovator of modern photography, just like Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albert Renger-Patzsch, Aleksander Rodchenko, Paul Strand, and Edward Weston, to name but a few. Like them, Funke set out (in 1922) on the road towards abstraction, which would eventually lead him to his own particular “ism” – photogenism.
Funke also responded to Cubism and created exemplary works of the New Objectivity and Constructivism, but he stood closest to Bauhaus. During the 1920s, he was one of the first to adopt irrational approaches such as Poetism and Surrealism. In the second half of the 1930s, Funke established his “emotional photography” on the basis of Breton’s notion of the magic encounter. He was a typical universally educated intellectual of his era.
This book focuses primarily on the ideas that shaped and transformed Funke’s work, while placing it within the context of European avant-garde photography and culture, of which he was a pioneer.
The book was prepared in cooperation with Jaromír Funke’s daughter Miloslava Rupešová.
| Autor: | Antonín Dufek |
| Nakladatel: | KANT |
| ISBN: | 9788074371073 |
| Jazyk : | Angličtina |
| Vazba: | pevná |
| Počet stran: | 240 |
| Zařazení: | monografie • 20. stol. • umělecká fotografie • katalogy výstav • černobílá fotografie • umělecká avantgarda • teorie fotografie |
Mohlo by se vám také líbit..
-
Jaromír Funke
Antonín Dufek
-
Ivo Loos
Antonín Dufek
-
Jaromír Funke - Mezi konstrukcí a emocí
Antonín Dufek
-
Pavel Mára
Antonín Dufek
-
Vladimír Jindřich Bufka
Antonín Dufek
-
Industria
Jirásek Václav
-
Heroes
Ivan Pinkava
-
Kočka v Zemi čísel
Ivar Ekeland
-
Zrození fauna - Bohdan Kopecký
Martin Dostál
-
Canada 1968 - 1973
Viktor Kolář
-
Jiří Valenta
Zdenek Primus
-
Jiří Toman
Martin Dostál
-
Dita Pepe
Dita Pepe
-
Lanterna Magika
-
Stalingrad 1942-1943
Pavel Scheufler
-
Jindra Viková
Viková Jindra